timeloops is divided into 3 parts that seemingly have nothing in common. The video documentation of the demonstrations in Tbilisi begins on April 9, 2024 with the commemoration of the opera from April 4-9, 1989 of the massacre during the demonstration for Georgia's independence until the overruling of the veto of the Georgian president by the Georgian parliament on May 26, 2024 stands in contrast to the contemplative mood of the upper room. Findings of my being in Tbilisi, which formally lean on the art of arte povera, with the sound of a music school on a rainy afternoon in May, resonate in a different perception of time. The cinematic essay Notturno with its jumping between social conditions, social imprints and artistic references rounds off the meandering in the temporal. Perhaps this combination is also an attempt to confront the discrepancy that Augustine described as follows: He knows what time is if you don't ask him, but if you ask him, he can't explain it.
